MUSIC FOR PICTURE THAT HOLDS UP IN

original composition · sync-ready · fully cleared

original composition · sync-ready · fully cleared

original composition · sync-ready · fully cleared

[SYNC]

thebestmusicinadvertisingwasneveraddedinpost.itwastherefromthestart.shapedbythebrief.builtaroundtheedit.nottheotherwayaround.

thebestmusicinadvertisingwasneveraddedinpost.itwastherefromthestart.shapedbythebrief.builtaroundtheedit.nottheotherwayaround.

thebestmusicinadvertisingwasneveraddedinpost.itwastherefromthestart.shapedbythebrief.builtaroundtheedit.nottheotherwayaround.

// EMOTION

the cut is strong. the music isn't.

the edit carries momentum but the cue doesn't push far enough. or it pushes in the wrong direction. the room feels it instantly.

// ALIGNMENT

three stakeholders. three directions.

director wants edge. agency wants safe. client wants familiar. you need one cue that all three approve without killing what made it work.

// SCALE

the campaign goes global.

hero film, 6-second cutdown, social loop, retail ambience. four formats from one idea. stems and versions that don't fall apart at shorter lengths.

// DEADLINE

the timeline is the timeline.

no space for three rounds of "try something completely different." if the architecture is right from the start, revisions are surgical. not structural.

[01/04]
>scroll_
// EMOTION

the cut is strong. the music isn't.

the edit carries momentum but the cue doesn't push far enough. or it pushes in the wrong direction. the room feels it instantly.

// ALIGNMENT

three stakeholders. three directions.

director wants edge. agency wants safe. client wants familiar. you need one cue that all three approve without killing what made it work.

// SCALE

the campaign goes global.

hero film, 6-second cutdown, social loop, retail ambience. four formats from one idea. stems and versions that don't fall apart at shorter lengths.

// DEADLINE

the timeline is the timeline.

no space for three rounds of "try something completely different." if the architecture is right from the start, revisions are surgical. not structural.

[01/04]
>scroll_

UNIVERSAL • WARNER • NETFLIX • DISNEY • PRIME • FIFA • NBC •

NETFLIX • DISNEY • PRIME • UNIVERSAL • WARNER • FIFA • NBC •

UNIVERSAL • WARNER • NETFLIX • DISNEY • PRIME • FIFA • NBC •

NETFLIX • DISNEY • PRIME • UNIVERSAL • WARNER • FIFA • NBC •

UNIVERSAL • WARNER • NETFLIX • DISNEY • PRIME • FIFA • NBC •

NETFLIX • DISNEY • PRIME • UNIVERSAL • WARNER • FIFA • NBC •

0M+
STREAMS
0+
SYNC PLACEMENTS
0+
YEARS IN PRO AUDIO
– SYNC –
ifthetimelineisreal,soarewe.
> SYNC@TW-LABS.COM__> SYNC@TW-LABS.COM__
– SYNC –
ifthetimelineisreal,soarewe.
> SYNC@TW-LABS.COM__> SYNC@TW-LABS.COM__

SIGNAL // NOISE

straight answers. zero ambiguity.

FREQ_ASKED

original music composed to brief. hero cues, cutdowns, stems, versioning for every format. all masters sync-ready with full clearance documentation.

negotiated per project. full buyout, exclusive license, or territory-based. rights and usage locked before production starts.

no surprises after delivery.

single cue with revisions: 5-10 business days. modular system across formats: 3-6 weeks. timelines confirmed before we start. we hit them.

100% publishing control. no third-party delays. instrumentals available immediately. one-stop licensing on everything we deliver.

project-dependent. scoped after understanding brief, usage, territory, timeline. no hourly rates. budget and deliverables agreed upfront.

no ambiguity.

yes. curated reel aligned to your brief type. no generic showreel. if it's relevant, we share it. if not, we say so.

holzmarkt 25, berlin. 15 minutes from most agency offices. the best work happens in the room.

come listen.